I can't say I'm happy with the shoot we did last Friday and I debated whether or not I'd post about it. Kuniko and I worked together all week doing some great work, however Thursday we got kicked out of our location. Kuniko found a new location, but I wasn't permitted to set up any lights, or a background. Not really a big deal, but it was getting late into the evening so I worked fast and with what I had a 50mm f/1.4. Kuniko did a wonderful job with the make up, and Saphire Jones was a joy to work with we managed to make a couple of nice images. Just not up to the standards I am setting for myself.
Friday, December 17, 2010
Monday, December 13, 2010
Sunday, December 12, 2010
Saturday, December 11, 2010
Main light is a Dyna-lite 4040 head with a beauty dish on one pack at half power, there is a white reflector at Marci's waist to bounce a little fill into her eyes. Two Dyna-lite 2050 heads shot into umbrellas at full power on another pack for the back ground.
On a few I shot to fast for the back ground pack to fully recycle, but I dig how it looks.
Gorgeous Makeup by Kuniko Yamamoto
Fabulous Hair By Liz Martinez
Beautiful Model Maric Miller
Friday, December 10, 2010
For Li I placed two Dyna-lite 2050 heads in medium soft boxes just off camera right and left, for the ultimate super soft light, with a white reflector at her waist for the last touch. I lit the back ground with one 2050 head shot into an umbrella way up on the stand to produce a smooth gradient.
With Miley I blasted the background with two 2050 heads on one pack at full power, and lit her with one 4040 head in a medium softbox just out of frame camera left, and a white reflector camera right which doubled as a flag since we were shooting outside in direct sunlight.
Makeup by Kuniko Yamamoto
Wednesday, December 8, 2010
Light ... yep it's kind of important. I hit the back ground with a 2050 dyna-lite head and a grid spot, the main is another 2050 shot through a medium soft box camera left, and fill with my last 2050 shot through a small strip box. I threw a silver reflector in front of Michelle to bounce that last touch of light under her chin.
Perfect Makeup by Kuniko Yamamoto
Glamourous Hair by Liz Martinez
Super sweet Model Michelle Marin
Great light makes great photographs. I used a Dyna-lite 2050 head in medium soft box just off camera right, fill is another 2050 head in a small strip box to the left and back beside me, and lit the background with a single 2050 shot into an umbrella.
I answered a Craigslist ad from makeup artist (So Young Park) looking for photographers and on Monday we shot Sasarih Hacupian. We had a great time, even thought the little room we shot in was hotter then hell, well I thought so, Sasarih is Armenian and was cold. I wasn't crazy about the purple flower eye thing, but So Young was eager to give it a go, so why not and they turned out great.
Monday, December 6, 2010
Saturday, December 4, 2010
Some days in a three mile walk I can almost fill up a small memory card, today I took seven frames, which included recomposing these two. I guess sometimes you see, other times you look ... the best days are when I'm aware.
Friday, December 3, 2010
Thursday, December 2, 2010
Wednesday, December 1, 2010
Tuesday, November 30, 2010
Monday, November 29, 2010
Friday, November 26, 2010
Tuesday, November 23, 2010
Monday, November 22, 2010
Sunday, November 21, 2010
Saturday, November 20, 2010
Friday, November 19, 2010
Sunday, October 3, 2010
Thursday, September 30, 2010
Tuesday, September 28, 2010
Remember, like, back in the old days (less than ten years ago)when you had to put those aluminum canisters filled with celluloid coated with a light sensitive emulsion in the back of a light tight box? Get in your way back machine, cause in the 1950's Olympus started making this nifty little gem that made half frame images. I can't remember owning an Olympus Pen (no not their new micro 4/3), so i must have borrowed it from my buddy Dunker (on the left). These two negatives were made consecutively then printed in a 35mm film holder.