For Li I placed two Dyna-lite 2050 heads in medium soft boxes just off camera right and left, for the ultimate super soft light, with a white reflector at her waist for the last touch. I lit the back ground with one 2050 head shot into an umbrella way up on the stand to produce a smooth gradient.
Li Zheng
With Miley I blasted the background with two 2050 heads on one pack at full power, and lit her with one 4040 head in a medium softbox just out of frame camera left, and a white reflector camera right which doubled as a flag since we were shooting outside in direct sunlight.
Miley Yamamoto
Makeup by Kuniko Yamamoto
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